Showing posts with label Kindie Music. Show all posts
Showing posts with label Kindie Music. Show all posts

Tuesday, March 3, 2009

The Hipwaders - Goodie Bag EP


Although our new CD isn't supposed to be officially released until April 7th, I though it was time to let everyone have a listen. Here's every track in glorious lo-fi. Buy the CD for true hi-fidelity and the neat album cover by Brian Clarke:


GOODIE BAG LYRICS ARE HERE


Now if you want some of the back story on this here album, here you go.

With the current way music is distributed and listened to, we've realized albums seem to be on the way out. Prior to 1965 and The Beatles "Rubber Soul" album from which no singles were released, pop/rock albums were - for the most part - a collection of hits with some filler added to pad out a release. Now, with easily accessible downloads and portable mp3 players, it seems like single songs are what interest people the most. It's pre-1965 all over again. We'd hate to put out a full length release and have difficulty selling it as, in reality, we've actually sold very few albums. Our downloads have slowly increased over time and we felt the best option is to release mini-albums. With a mini-album, we can record more frequently and at less expense.

We've actually been able to record 95% of our next release, a Christmas album, with the money we've saved.

Anyway, we hope you enjoy the "Goodie Bag", who's title came about when my family went and saw "Space Chimps" last fall (Chimpanzees in space? Come on, it's comedy gold.). During one of the scenes a character inquires about "goodie bags" and that set me off thinking how it'd be a great title for a song, album title and even a band name.

To record the album, we set off for The Hangar up in nearby Sacramento. Run by John Baccigaluppi, The Hangar is a funky warehouse that is home to Tape Op magazine - the best magazine on recording ever!

The Hangar is a comfortable recording environment where a skateboard ramp is situated in almost every room.

Our engineer, Bryce Gonzales, had us record live (Nick Baca - drums, Tito - guitar, DJ Kinville - bass) which wasn't as hard as I expected as we had been performing most of the songs live for the past year. Unfortunately, Bryce had to leave the sessions when the opportunity to record freak-folk cult hero, Devendra Banhart arose.

After a hiatus of a couple of months we able to get another engineer,Robert Cheek, to come in and record the vocals and a few overdubs. As Robert had actually recorded the Deftones' cool version of John Lennon's "Jealous Guy"in the same studio, we felt we were in capable hands.

We quickly recorded the overdubs and mixed the album and then headed own the hall to MonsterLab Audio for mastering by the golden-eared, Eric Broyhill and his insanely friendly dog, Gypsy.

We not only enjoyed the laid-back recording vibe in Sacramento, but the local restaurants are really good and sometimes you're lucky and come across some cool photo ops:


THE SONGS:

1. BIRTHDAY RUCKUS. This song came about when we tried recording our samba-esque version of "Happy Birthday" in our garage rehearsal space as a birthday greeting for Evalyn Harper. She's the daughter of Oklahoma childrens' music performer Monty Harper - whose guide to kid-friendly radio shows is indispensible - and his wife, Lisa Harper. Lisa has a terrific podcast, Kid Music Planet, and was asking for children's music performers to just record a quick little message to wish Evalyn a happy 7th birthday. Anyway, our attempt at recording a greeting failed and when the other guys left I drank some coffee and sat down with my guitar and quickly came up with this ditty. When I sent it to Lisa I even told her I was gonna re-record it with my band as I really liked it. So, Evalyn, thanks for the inspiration!

2. FIELD TRIP. Probably our most popular live song. As a father with two young sons in elementary school, I've been on my fair share of field trips. Some lame, some pretty cool. With the budget crunch schools have been experiencing, I thought about what kind of field trips schools could have if they had Pentagon-sized budgets.

I'm a huge fan of songwriter, Scott Miller, of Game Theory/Loud Family. I had to give him some props by alluding to the first song I ever heard by him when his band was operating out of nearby Davis, CA. It's in the second verse where I mention his song, "Nine Lives to Rigel Five".



3. ALWAYS MOM. My mother passed away when I was young and never got to know her as an adult. Therefore, in my eyes, she will always be young, beautiful and saintly. My own wife is a terrific mother who tireless attention to our children is amazing. With both of them as an inspiration along with all the mothers who make the trek to our shows with kids in tow, I knew I had to write of songs for mothers everywhere.

4. PRELUDE TO A THING. A palate cleanser from all the upbeatness!

5. THINGS YOU WANT. Brian Boyd is a friend I've had since high school. He's smart, funny, and very creative and is the most interesting person I know to converse with. We had agreed to record some demos of song ideas he had floating around and said he'd send me some stuff. What he sent was a full 90 minute cassette (?!) of song (in varying stages of completion), jokes, vocal impersonations, and what-not. I picked out about a dozen songs I really liked. One partial song that really caught my ear was, "Things You Want". It was an upbeat romp with a terrific melody and a cool verse and chorus to which I added a bridge and another verse. I was hoping to record it in the style of NRBQ and even tried to do my best Terry Adams clavinet imitation. It doesn't sound anything like NRBQ.

6. MY NEW CAMERA. I remember when I got to use cameras as a kid and how much I enjoyed taking pictures. With their compositionally-challenged skills, kids can take some awesome pictures of headless parents and siblings with missing limbs. I thought I'd try and capture some of the joy I feel with taking pictures and especially had fun with the Free Design-type vocals.

7. WHAT'S THAT NOISE? Inspired by the Don Knott's movie, "The Ghost and Mr. Chicken", I decided to create a Halloween song about someone spending the night in a haunted mansion. Using music from a song I'd previously attempted to record a couple times before without success, we were finally able to come up with an arrangement that worked. Like, "Things You Want" it has the close harmony singing I love doing with Nick.

8. GOODIE BAG. The title track that was inspired by the Space Chimps movie. I'm not sure when the tradition of handing out goodie bags at birthday parties came about, but I know I didn't get diddley squat when I attended birthdays as a kid.

We were fortunate enough to have our super-talented friend, Gunnar Madsen, add some vocals to our recording. When I wrote the song I was having so much fun playing and singing it I felt like I should scat. I quickly realized scatting should be left up to professionals. Having remembered that Gunnar Madsen was the singing voice of Sammy Davis Jr., in a Rat Pack biopic on HBO I contacted him and he agreed to sing. Trekking on down to his place in Berkeley, I was privileged to watch him lay down numerous vocal tracks. Each pass was different and hilarious and I wished we didn't have to stop and choose just one. It would have been great to have videotaped the session and strung all the bits together. Coulda got Gunnar placed on a psychiatric hold:



So that's it. A goodie bag collection of audio trinkets we hope you'll have fun passing time with.
And, although it won't officially be out until April 7th, if you've made it this far you can find downloads and/or purchase the cd now at these places:

THE HIPWADERS: Goodie Bag



I-tunes and Digstation.

Saturday, December 6, 2008

Santa's Got A Brand New Goodie Bag


According to the Dutch, Santa’s Birthday is Dec. 6th. Sinterklaas (that’s St. Nicholas to you and me) comes to the Netherlands from Spain via steamboat two weeks prior to his birthday along with his helper, Zwarte Piet (Black Pete).

Why this story hasn’t been made into a TV series or Hollywood movie yet is beyond me. This is fascinating stuff. First, the idea of Santa kicking it in Ibiza rather than the frozen north makes for a much more commercially interesting backdrop (worked wonders for Baywatch, didn’t it?). I’m sure Santa would rather dine on tapas and Paella rather than seal and whale blubber - and venison would no longer be on the culinary “no-fly” list.

Other than Aurora Borealis, the North Pole just isn’t as interesting as Spain. Songwriters have had to work hard to make Santa’s digs at the pole interesting. Case in point:

“What a Land, Santa Land!” - Don Elliott Orchestra

Obviously the idea of travel by steamboat would need to be updated to a speedboat, or better yet - hovercraft!

Probably the most fascinating aspect of the entire story is how Santa’s got a “Man Friday” named Black Pete to assist him in the delivery of the presents. This is classic buddy flick material folks, following such multi-ethnic genre predecessors as Poitier & Curtis, Nolte & Murphy, and ...uh, Crockett & Tubbs. Let’s face it, while making his rounds Santa’s holding some serious stash and needs some muscle to watch his back. Elves aren’t that intimidating and a sidekick opens up so many more storyline options.

So all you budding screenwriters get busy as we enjoy Santa’s Birthday...

Santa’s Birthday - The Caroleer Singers & Orchestra


p.s. Speaking of birthdays, The Hipwaders have now finished recording their “Goodie Bag” EP and will start mixing next week!

Thursday, November 27, 2008

"The One Horse Open Sleigh" (or How I Learned to Stop Worrying and Love the Jingle Bells)



Why start this blog? Most likely because of the song originally known as "The One Horse Open Sleigh" published in 1857 and written by James Lord (!) Pierpont for Thanksgiving. What kid doesn't learn to love "Jingle Bells" (as it was re-titled and published in 1859) at a young age? I'm sure I was one of those kids to quickly discover the joys of singing the song and it's parodies - "Jingle Bells, Batman smells", anyone?

It's the one song in our repertoire that is guaranteed to get kids up to the mic to sing a verse and chorus.

As a "kindie" songwriter and performer I feel that Christmas music is closest to the Kindie music genre. First, let me give you my quick definition of Kindie music: Music that appeals to all ages with a primary focus on children too old for nursery rhymes but too young for "relationship" songs. Part of Christmas music's appeal is in it's positive message, celebration of innocence, and wonderment. Those qualities are also reflected in Kindie music with both genres have the ability to draw the young and old together.

My band, The Hipwaders, will soon be attempting to record a Christmas/Holiday album for release winter 2009. We plan to begin recording in January and I worry about being able to keep up the "Christmas spirit" when the idea of even listening to Christmas music after December 25th makes me ill. I thought perhaps if I'm forced to maintain focus on Christmas and as much "winter holiday" music & stuff on a regular basis I may be able to make it.

Therefore, if interested, keep checking this blog for our progress in this endeavor.

Now, back to "Jingle Bells". Here's a few of my favorite versions:


First recorded on an Edison Brown Wax Cylinder in 1898 by the Edison Male
Quartette. This version was performed as part of a comedy bit entitled "Sleigh
Ride":

Sleigh Ride/Jingle Bells - Edison Male Quartette



Here, fleet-fingered Fats Waller performs his version entitled, "Swingin' Them
Jingle Bells" recorded in 1939. Note his uncanny knack for impersonating Jerry Lewis a decade anyone even knew who Jerry Lewis was:

"Swingin' Them Jingle Bells" - Fats Waller

Another favorite version of "Jingle Bells" is Ira Ironstrings' 1959 version that starts off as a Dixieland romp (a genre that generally annoys me after just a few minutes) then suddenly veers off into the swinging exotica realm with malleted percussion giving it a "zing zang" hipness one would would not expect. Even stranger is the fact that Ira Ironstrings was actually an alias for steel guitarist Alvino Rey who was the musical director of the the King Family Singers, a bland outfit that had a TV variety show in the 1960's that managed to be more "vanilla" than Lawrence Welk. The King Family made "Bobby & Sissy" seem more like "Sid & Nancy".
Ira/Alvino made cool-named records like, "Ira Ironstrings Plays for People with $3.98" and...wait for it..."Ira Ironstrings Plays with Matches". Brilliant.
So where did Ira/Alvino's hipness come from? Give this track a listen and you can hear that he learned well from his session work with the great Esquivel!:

Jingle Bells Stomp - Ira Ironstrings

Lastly, also from 1959, comes a version from one of my all-time favorite Christmas albums, The Three Suns "A Ding Dong Dandy Christmas". The Three Suns fall into the "lounge" category but offered much more weirdness. This version adds some zippy "Ren & Stimpy" guitar (that's the best way for me to describe it!) with some cool jazzy organ. Dig this:

Jingle Bells - The Three Suns


Now, step away from the screen and grab yourself a Turkey leg. Stay hip and remember, "It ain't cool being no jive turkey so close to Thanksgiving."